food, photos

Phood photography

Food photography has often been suggested as a way to continue shooting during the winter, when it typically becomes harder (and less motivating) to pick up the camera. As someone who likes to cook and is an indoor person at heart (even when it’s a sunny day), it makes for a perfect marriage of interests, although it’s only in the last couple weeks that the two have been wed.

Recently I’ve been trying my hand at making risotto, and in trying to see what should be done with leftovers, I found out about risotto pancakes.

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As I mention on the Flickr page, the hardest part about making them was figuring out how much egg to use. When I finally had it down (more egg is better), I realized that it’s not unlike Egg Foo Yung. Maybe next time I’ll whip up some gravy to go along with them.

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photos

Tracy Bonham

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Although a fair bit brighter than the Phantogram show, the venue also was a proud member of the magenta and cyan gel club. I compensated for it as much as I could in-camera, dialing the white balance down manually as far as it could go (around 2500K). In the processing I chose to keep some of the magenta cast intact – it was how the stage was lit after all and I didn’t want to be too aggressive in the adjustments. Black and white conversions also help make it a moot point.

Also having learned a few lessons from the Phantogram show, I brought the fastest telephoto lens I have in my kit, the 85mm f/1.8. Fortunately I didn’t have to shoot wide open nor crank the ISO as high as 3200, as I was getting healthy hand-holdable settings of around 1/160 at f/2.8.

The primary challenge with this show actually turned out to be positioning. With audience seating flush to the edge of the stage, I didn’t see many options initially, so I started out stage right, which gave me a straightforward – if not particularly dynamic – perspective. A few songs in I spotted an opening closer in on stage left, and moved there between songs. The early departure of a couple front row viewers then gave me the opportunity to get down on the floor for some more dramatic angles.

Overall I was quite pleased with the evening of shooting. And to think I almost didn’t go…

See the full sets of color and black whites.

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photos

Martin Sexton

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Initially I was regretting not bringing the big camera, which would have allowed for some nice close-ups. But the Panasonic GF1 with a fast 40mm equivalent lens produced some very pleasing shots. Autofocus was fast and accurate and ISO 1600 very usable. In the future, however, I’ll just plan on bringing the big camera with me to the consistently camera friendly (if often underlit) WOW Hall.

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photos

CunninLynguists

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This show was insanely crowded and after shooting the first three songs I was glad to get out. You’d think standing hip to hip with college age girls would have been interesting, but it was mostly annoying and stress inducing (am I getting old, or what?).

The continued low lighting and constant movement of the hip hop artists required a change in technique, so after a couple of questionable exposures I dropped the ISO to 800, dialed down the shutter speed to 1/15 and popped the built-in flash. It might have been fun to stay around to experiment a little longer with slow flash exposures, but I’d had enough of the crush of humanity by that point.

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photos

Phantogram

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This was a fun but challenging shoot due to the lighting. With the stage being powered off the grid by bicycles, the lumens were kept to a minimum. In some respects the surrounding street lighting looked brighter! Contrast was helped at times by a strobe light placed at the foot of the stage, but I didn’t try for any multiple exposure effects like at their indoor shows.

The low light situation was helped by managing to get a good position at the front of the stage, allowing me to use the stage floor to stabilize at least my body movement. Getting a bit caught up in the moment, I didn’t realize until I got home that I didn’t have image stabilizing engaged, which may have offered some additional assistance with camera shake. Although I can’t resist wondering what “might have been,” I should recognize I got some satisfying results while practicing good technique. And in some cases a bit of blur and movement is more interesting.

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writing

Anatomy of a review

I started writing DVD and Blu-ray product reviews for Home Theater Forum in 2006. It often proves to be an interesting challenge, as I don’t consider myself either a fast or particularly insightful writer. Or rather, my insights don’t necessarily come quickly, and so the speed of my writing tends to follow suit. And there isn’t always a lot of time to spend thinking about a film, given deadlines and that it’s a volunteer position. As much as I want to do a good job, there’s a limit to how much time I can spend on it all. Getting to keep the movie is nice, but for the time spent on a review, it’s honestly more economical to just go out and buy it. Ultimately I do it because I enjoy the challenge, not because of any material perks.

The hardest part of the review is ultimately the evaluation of the film. The technical evaluation is fairly rote with certain things I’m always looking for and really only a few ways of describing them (e.g. “the full range of contrast values”). The evaluation is of course subjective, which makes things interesting when there’s a difference of opinion, but such controversies are fairly rare these days as the methods of video transfer have reached a certain level of maturity and consistency. Every so often there’s something universally regarded as poor, but that’s often so obvious you’d have to be blind not to see it.

Reviewing the special features really comes down to a matter of time. Audio commentaries are ultimately the worst in that respect – it takes the entire length of the feature to say you’ve reviewed it all. When there are two or three commentaries? Sometimes I just throw up my hands and pick one I’m most interested in and say that’s the only one I listened to.

So when it comes to the feature review, that’s where I struggle most. The Forum doesn’t really expect us to go to great lengths in this section, seeing that it’s a review of the product, but it feels a little half-assed to not devote some attention to it. At one time I was limiting my words to about 100 for this section, and set the challenge as finding the most concise way of describing the story. I have since expanded that out, though the goal is still to be as brief as possible by keeping it contained to one paragraph. I also provide an additional paragraph to one or two personal observations or insights about the film. You’d think that keeping it brief makes it easier, but I’m not so sure. Every writing class I’ve taken has said that being concise is harder, but sometimes I’m not sure whether I’m being concise or incomplete. I often go back and re-read what I’ve written. Sometimes I’m pleasantly surprised; sometimes I know I could have done better. I guess that’s the nature of most things.

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miscellanea

The shaving razor’s cold and it stings …sometimes

Merkur Razor

The Merkur double-edged razor.

In what seems to be my lifelong pursuit of a close but comfortable shave, I gave the retro stylings of a double-edged razor a try after many years of compromising with an electric. While no doubt an impressively designed and machined grooming tool, the mass produced and commercial Mach 3 razor ultimately gives me as good a shave. The Merkur can of course do more damage if I’m not careful, and I admit there is a certain enjoyment in that risk, or perhaps in the successful avoidance of major bloodletting. But for my regular grooming routine I think the Mach 3 meets all the requirements. For the novelty and enjoyment of the shaving experience I’ll use the Merkur, but I suspect those occasions will be few and far between, not unlike my feasting on filet mignon and 50-year old Scotch.

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Yakisoba Sandwich

food, photos

Yakisoba Sandwich

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