See the full set on Flickr
I can’t remember how I first heard about ZZ Ward, but not long after, I started hearing her songs on TV, attached to promos for some of the shows I follow. Most people who hear her are instantly drawn to her bluesy and soulful voice, and then surprised when they see the person producing said vocals, reminding them about judging books by covers and so forth.
I’ll admit I’m especially enthusiastic about this talented artist because she hails from Roseburg, OR. She’s had a couple shows in the area in the last year or so, but it finally worked out that I was able to see her up in Portland, at the Aladdin Theater. I did try to get a photo pass for her free show in Roseburg last month, but I never got a response from her publicist either way. Turns out, I probably wouldn’t have needed one, as the photo policy for the Aladdin show was fairly generous. Security wasn’t checking bags at the door, and once I started taking pictures, the staffer only came up to tell me they were limiting photos to the first three songs for each artist. Easy enough, and fairly standard.
There were two press-badged shooters there, both of whom were sporting two cameras with telephoto and wide-normal zooms. Not knowing what to expect from security, I decided to travel light with mid-telephoto and normal primes. I also shot in AI Servo mode, which I admit I’m not the biggest fan of, mostly because I do so infrequently and find I get more out-of-focus shots than I’d like. Granted, I’m really pushing things by shooting at f/1.8 (things were more consistent with the additional depth of field at f/2.8), but I plan to keep trying it to get a better handle on what to expect.
All told, I wound up with several nice shots of ZZ, and of her opening acts, James Bay and the Wild Feathers. Some variety in the perspective would have been nice, but that would have meant using lenses I didn’t have with me, as well as braving the crush of humanity at the foot of the stage. Since I was in the mode of shooting for fun, this ultimately dictated my choice of lenses and relative distance from the performers.
See the full set on Flickr
Last year I wrote about my experience shooting concerts as a ticket-holding member of the audience. I’m going to try a different approach with some upcoming shows I’m interested in, and actually submit a request for a photo pass from the performer’s publicist. Mainly I’m curious what kind of response I’ll get, since my stuff is done for my own enjoyment, though I’d be happy to share the images as well.
So in preparation for the requests, I’ve gone through all the shows I’ve done over the years and selected ones that are portfolio worthy. I wound up with just over 100 images. I could probably trim it down more, but it’s a good starting point.
Growing up in an Asian culture I’ve had a chance to try a number of unusual culinary dishes, everything from reproductive organs of the female frog to pork blood.
But what I still consider my most unusual food experience came from lunch with a college friend, who was a member of the Mien (or Yao) community. Following the meal, she served a soup that was cold, citrus-y, spicy, and filled with cooked rice flour blocks. It was a convergence of flavors and sensations that I had never experienced before, and my palette didn’t quite know what to make of it. I don’t think I had more than a few bites (probably due to the extreme spiciness).
I’ve written before about how my tastes have changed as I’ve gotten older, so I’m curious whether I would now enjoy the dish. I did a little research, and found out it’s called kaleng phen. It seems pretty easy to make, though I think I’d be wise to try it in a small batch.
Another San Diego Comic Con has come and gone. I wasn’t able to make it this year, but it’s been interesting living vicariously through the wealth of photos on Flickr. The best part is always the costume players (or cosplayers). The subculture being what it is, the women usually get the most attention, but this year seemed to have an unusually good showing from the men. Here are a few of the standouts:
The Joker: This guy’s wardrobe and makeup are great, but it’s the expression that sells it.
The Prometheus Engineer: Not many people (especially the nerds of Comic Con) can pull off this look. I’m thinking this guy was hired, but regardless, he’s pretty awesome.
Galactus: Impressive fabricating skills.
Red Skull: Amazing mask detail and color.
And the winner for most layers of genre,
Female Steampunk Joker Duela Dent:
Based on the adage, “You’re only as young as you feel.” I would say I’m hovering around 28.
I’ve gotten past the awkward, post-college period of trying to figure myself (and my small section of the world) out, but not been around enough to think I’ve seen it all.
I suppose the latter will be true regardless of how old I get, and I’d like to think that as the years go by I will continue to have an open mind and heart to the things around me.
When the young complain about the old, it’s usually because they are resistant to change on various levels. One of my hopes as I move into that “older” category is that I never will be accused of being “set in my ways.”
If I do, I’m pretty sure there will be plenty of young people around to let me know what I’m doing wrong.
June 24, 2012 at the Olympic Track and Field Trials at University of Oregon’s Hayward Field. Click on any image to get to the full set. Find out more about Halie Loren at halieloren.com.